Alana and Hugh Grant

Meet the Artist

Alana’s journey as an artist began in the 1970s with a Bachelor of Fine Arts degree, cum laude, from the University of Colorado, USA, and a certificate to teach art in public schools for students aged 4-18 years.  For the next six years she was the art department at a small jr/sr high school in rural Colorado and that is where her love of working with others began.  

Alana has shown throughout her career in Independent Artistic Situations (ITAs).  Most notably as a member of Core New Art Space Collective in Denver, Colorado, USA and recently in Kinsale Atlantic Artists in Ireland.  Her early work gained notoriety with a one-woman show featuring the “Zappa Quilt,” a piece so captivating it was filmed by Playboy TV.  Throughout her life, Alana’s attention has been as both a professional artist and an academic researcher.  Not a conflict in her mind because both are creative inquiry.

As she tells us, “Take my life story portraits as an example, during my first round of research, I spent two years developing life-story portraits of people from 75-105, in order to find out about what is important to others. As I reflected, I learned that what mattered most to me was how it felt to hear their stories and to imagine their lives.  The second round included a year building abstracts with my AI companion to express the heart of my feelings and then intervieweing others about the feelings the work engendered in others.  Currently in round three, the merge of these rounds in a popup installations (Jan 2026) that will be more immersive with not just 2D art but also music, film and animation.
 
 I want Installations of my art to immerse visitors in a collage of possibilities, all derived from the lived experience of the people I portray.  I aim not just to tell their story but to give the viewer a sense of the experience of what it is like to spend time with them. Starting in 2026 I hope to broaden the work to include people much younger than myself and from there to research and tease out similarities and differences across ages and cohorts.

Digital Art and Research Processes

Regarding her artmaking process, Alana says:

 “I started making art collage in 1976, after a drawing took 6 months to finish. Now, digital technology allows me to work almost as fast as my brain can travel.  Of course, my techniques developed as technology did.  At first “compositing” was only prints on paper – sized up and down on zerox machines and glued to each other.  Now it is digital, some created by AI, others collaged on a tablet and, eventually, merged in film. Each digital technology is chosen according to the task at hand. 
 
Current tools include:
  1. Procreate for collaging multiple digital images to tell the story of their lives, and for merging those with abstract feelings. It is also very useful for re-imagining images and layouts quickly
  2. Chatgbt is my AI colleague, together we design and build abstract images starting from philosophical ideas
  3. DaVinci Resolve is used to build the VFX animations of the relationships between the other two
     

Because it is digital, the work can be any size, but because the ideas I work with are big, powerful and strong the work needs to be as well.  To give you an idea of scale, I have included in-situ images in the gallery of this site.  An installation guides a person on clear path through a series of large images (both portraits and abstracts), leading to loop of projected film and animated work. The film/sound experience is both musical and includes the voice of one or more of the elders shown in portraiture.  Abstracts and imagery intended to induce ideas about the resiliency and positive potentials of life see the visitor out.”

Regarding her Research Process…

Action Research became Alana’s research methodology of choice, during her doctoral work at Columbia University in 2000, primarily because of its participatory flexibility in structure. Put simply there are four stages to every AR cycle or round: discovery and planning, action, data collection and analysis and reflection. Everything is done in rounds of the four stages, and usually there are multiple cycles. In community the situation grows, morphs, and moves closer to the goals. Life is messy and frequently stages of the research overlap. At the end, the researcher is always held to final reflection including the people, places, etc that were studied, being part of the final anaysis of outcome.
 
Alana says:
“All research methodology inherently measures the past, and this is a problem for situations where people want to build something new. Because of the rounds of research cycles, Action Research (which has been called by many names) measures situations closer to when they happen and this allows participants to plan and execute for a new future – while not measuring the future, this is about as close as we can to measuring evolution as it emerges.”

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